An integrated approach to teaching

Learning is no longer a linear commodity, and – like it or not – traditional skills that rely on memorisation and repetition are becoming obsolete in the era of instant information retrieval. Games can teach us how children will need to learn in the digital age; as active agents, using multiple simultaneous interactive resources. In his rather radical paper ‘Rethinking Learning in the Digital Age’ MIT professor (and creator of Scratch) Mitchel Resnick proposes a total re-think of the classroom space, adopting the modes of the multimedia, multi-tasking era:

“Instead of a centralised-control model (with a teacher delivering information to a roomful of students), we should take a more entrepreneurial approach to learning. Students can become more active and independent learners, with the teacher serving as consultant, not chief executive. Instead of dividing up the curriculum into separate disciplines (maths, science, social studies, language), we should focus on themes and projects that cut across the disciplines taking advantage of the rich connections among different domains of knowledge.”

Resnick envisions a shift from a “knowledge society” to a “creative society” in which the general population are active, imaginative participants. This is exactly what is happening in games at the moment, with the rise of “user-generated” content, and build-it-yourself games like LittleBigPlanet and ModNation Racers. Lots of titles now come with level editors allowing users to create and share their own stuff – and in the era of social networking, social news aggregation and interactive TV passive consumption is over. So what place does it have in the classroom?

Linked from Guardian education – Keith Stuart Games Blog 5th July

 

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About Julian

I have a freelance practice as an Arts Education consultant. I retired from being Director of Community Outreach at Rose Bruford College in 2011, having worked there from 1982. Most of that time I was teaching in or around stage management, arts admin and technical theatre. I used to be programme director for the BA Stage Management, and designed the foundation degree in Organising Live Arts. I worked closely with the National Council for Drama Training; with the National Skills Academy for Creative and Cultural; and with Creative Way and the National Arts Learning Networks in developing standards and access to arts training. Having trained as a teacher, I spent ten years at the start of my career working in theatre, mostly in rep and community.. I'm politically active in Dartford Labour Party; and interested in issues of cultural representation, whether on the basis of class, ethnicity or any other cultural identity. My expertise, such as it is, is that of a firestarter. I enjoy linking up apparently random ideas or people, and seeing what comes from the conversations. I seem to be able to enthuse people, to inspire, and to give heart, making things seem possible that people may have doubted. Some of this is through clowning, never believing that matters are so serious that gentle good humour can't be used to improve them.
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